Sunday, December 19, 2010

Sundar te Dhyan (Beautiful, it is, the object of my meditation )

Sincere greetings, Namaskar to all .
At the outset, I pray to the readers, to please understand the
attitude, i am supposed to adopt, while trying to explain, the meanings, of this sublime creation.
you are my elder, my beneficiary, you are doing me a great service by reading this, I grow, I rejoice, by your kind attention. so I humbly request you to understand that, " all the deficiencies are mine and mine, alone. Please make it complete.
If I have written something extra, unsolicited, ignore it. Make my narration worthy of your attention, by your kind grace.
This creation is called as "Abhanga". It is by saint Tukaram, who lived in 16th century, in village, called Dehu, near Pune, in Maharashtra,India. It describes his feelings about the object of his worship, lord  Vitthala. It is the reigning deity of the pilgrim centre "Pandharpur" . This is one of the name given to lord Shri Krishna. Traditionally, the abhangas or poem, is  always rendered, at the beginning of every sermon, or worship congregation.  Hence this will be my first write up.
This is the translation of original Abhanga in Marathi language, known as " sundar te dhyan,ubhe witevari/kar katawari thevoniya". It is beautifully  rendered by lata mangeshkar,and is available on you tube/net).
The Abhanga (The Poem)

Beautiful, it is, the object of my meditation / standing on a brick, hands placed on waist.(1)
A garland of "tulasi" leaves adorns his neck / yellow silken cloth, wrapped around his waist. I adore this image, unceasingly.(2)
Crocodile shaped earrings, shine brilliantly by his ears / a pearl called "Kaustubha" regally adorns the necklace.(3)
Tuka says, this is my, only happiness / i will visualize ,the face of this image, with enthusiasm.(4)
My notes on the Abhanga:
There are many symbolic references in the Abhanga. Allow me to elaborate them.
The first line describes that the idol of Lord Krishna or as we call it in Marathi "Vitthala" is standing on a brick.
There lived a saint called as “Pundalika” in the city of Pandharpur, his way of worship was to serve his parents. Lord Shri Krishna went to visit him. At that particular moment, Pundalika was massaging his father’s feet, Lord Shri Krishna called from  doorsteps asking for permission to enter the house. Pundalika threw a brick towards the Lord Krishna and asked the lord to wait till he finishes his duty. Lord Shri Krishna  promised to wait. Pundalika never abandoned his duties towards the society, towards the elders and lord had to keep his promise. Till this date, the lord  stands on the brick, waiting for all his devotees, to come to him.
And this amazing story continues like this. Mother Rukmini ,Lord Shri Krishna’s wife (also a reincarnation of godess Laxmi) got worried, because Krishna did not  return to Dwaraka, his kingdom. So she followed him to Pandharpur There was no place for her on the brick, so she had to go stand behind the Lord, at a distance and she too graces the place by waiting along with her husband.
Why??.why no place on the brick? The godess of wealth does not bless all, with same kindness, therefore some are wealthy and some are poor, but Lord Krishna at Pandharpur is an incarnate compassion to all. no discrimination. Everyone can go and touch his feet, hug him , this cannot be said of Laxmi ,the godess of wealth, so she has to stand back, no place, near universal compassion. or, it can also be said that, wealth is not absolutely necessary for service and kindness, it always waits behind a true compassion.
The word used by Shri Tukaram Maharaj for brick in the language Marathi is "wit". I want to bring it to your notice that in English wit, means a  spontaneous, intuitive response, here also it is used in same connotation. The lord within you, is your intuition, he is at your doorstep, you enter your house and tend to forget the outside world, your duty towards the society by getting lost in pleasures and comforts the house provides  you. You lose your wits, instead, you  balance both your family life, your duties to elderly, and duties to outside world , your lord waits upon you., till eternity.
Tukaram Maharaj says further:
The hands of the lord are placed by his waist, it is an assurance, signaling, that the ocean of worldly miseries is only waist deep, for his devotees, if you serve your elders. If the work is your worship, the  "karma yoga"  or fulfilling the duties diligently, excellently, that life ,destiny bestows upon you, without any desire for fruits, is the central  theme for Geeta, Lord Krishna’s eternal message.
Lord Shri Krishna is a king, he is in his royal splendor at Pandharpur, but he is wearing a garland of "Tulasi" leaves. It symbolizes that he is totally detached towards the riches of royalty. Around his waist there is a silken cloth, a royal garment, but the colour is yellow, again a symbolic renouncement of power.
Shri maharaj is very fond of this image, which symbolizes riches coupled with philanthropy, power coupled with spirit of renunciation.
The crocodile earrings, is another reference to a story. There was an elephant, called "Gajendra". He was a great devotee of lord Vishnu, one day as he went to quench his thirst, he was caught by a crocodile, and dragged in to the waters, seeing his death imminent, he fervently, called on to his lord, who slayed the crocodile with a weapon called as "Sudarshan chakra". The  lord, freed his devotee from the fear of death,  but the crocodile also became immortal, because he adopted her shape as his earrings.
I am the symbolic elephant "Gajendra"! You my reader, could be also that elephant, vested with enormous power, but helpless in the waters of desires. Lust is the  crocodile grip which drags me in the waters towards the inevitable death. But if I pray fervently and the vision of lord frees me. That is "Sudarshana" meaning proper or true vision of lord.
This is the meaning of crocodile shaped earrings. and why earrings, because, you will close your eyes during meditation but ears cannot be shut, so be warned, lest the sound drags you away from your meditation practice. And, why such a place of honor, to a vice, a crocodile? simple, one can transform the lust for sensual  enjoyment in to devotion, by hearing about the names ,deeds and virtues of lord. and then it will no longer have a vice like grip, on you, it will become an ornament. An ideal householder is the most brilliant ornament of the society.
The pearl called as " kausthubha” is a mythological pearl, which secretes "gold" perpetually. And it is around the neck of the lord. The word used by Tukaram Maharaj is "Kanth", meaning the voice box, again a symbolic reference to words spoken by lord Shri Krishna, famously known as Geeta. His eternal message to humanity. A true gold secreting pearl.
In the concluding, last line , Shri Maharaj emphatically states that, this practice of meditation is the only happiness he knows and he will continue to see, meditate on this vision, which will enlighten him.
 That is the message of this poem to all of us too. O human being, with power and doggedness of an elephant ,don’t be a slave to your cravings, lest you are caught in a vice. Be detached towards worldly gains of wealth and power. Remeber the golden words spoken by lord Shri Krishna, in Geeta, see the truth in the light of meditation, practice all the virtues the idol symbolizes, inculcate the values in your life. this is the only true happiness, none else,  says, Tukaram Maharaj.

10 comments:

  1. Great interpretation and explanation. Very touching and empowering. This will forever change the way I will listen to this sublime Bhajan.

    Keep up the good work and please post similar articles for other poems also.

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  2. Mala abhang samjaun sanganyasathi aaplya varnanacha khup fayada zal thanx

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  3. Lovely and inspiring.
    Thank you very much

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  4. Thank you so much for this! Was listening to Lataji's rendition of this while reading =)

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  5. Beautiful explanation... till I read this blog I thought of this Abhang as mere description of Vittal... what deep meaning Tukaram Maharaj has given through this Abhang... Namaskar to you for sharing the meaning so beautifully through this blog...

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  6. the earrings are not of crocodile but of fish please recheck it!

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    1. The lines clearly say "Makara kundale". Makara is crocodile.

      Interesting, it is possible that during Tuka's times these were in the shape of a crocodile and have now been remade in the form of the fish.

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  7. Very well explained. Thank you

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  8. Very well explained and you have brought out hidden meanings beyond what appears, at first, to be a description of Vitthala.

    I have a few more lines to add about Pundalik- the devotee who "brought" Vitthala to Pandharpur in the form he is worshipped today. Pundalik according to legends was from the region around North Karnataka. There are many Vitthala devotees there even today, even though it is known as a region famous for its many Shiva bhaktas.

    The story goes that as the only child of his parents, Pundalik was brought up with great love and care. As he grew up, he fell into bad company and started getting addicted to vices. He would spend the day roaming and wasting time with his friends, only to return at night for dinner and to sleep. His parents were growing older and needed him to support them, but he was lost to their needs. Over the years they grew inform and blind, but their love for their son was the same.

    One evening, Pundalik returned home in a haze after drinking and asked his parents if there was anything left for dinner. They pointed him to the food left in the kitchen. As Pundalik went to take the food, he realised his parents had not eaten and though they were hungry and had been waiting for him for long, they had not taken a morsel out of love for him.

    A deeply shaken Pundalik felt saddened by what he had turned into. He resolved not to go out with his friends and started taking care of his parents.

    One day he asked his parents if they desired anything. The parents had for long desired to go on a pilgrimage, but they felt it was too late for them now. Their infirmity and loss of sight meant they were resigned to spending their last days at home.

    Pundalik decided he would fulfill his parents' wish and fashioned a carrier with two baskets in which he could seat his parents. Holding the carrier over his shoulders with his aged parents seated on either side of the basket, as in a weighing balance, Pundalik set out on a pilgrimage. They visited various temples, till they came to a spot near modern Pandharpur. They were resting in a house or inn, one does not know, and Pundalik was massaging his parent's legs when the Lord came to visit and the rest is as you described.

    In that context, Tukaram Maharaj's use of the word "veetha" that you placed in the context of our duties to our parents and the home, while not ignoring our bhakti and prayer, sits so well with this story of Pundalik's origin.

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